Chongqing - Nestled in the heart of Yuzhong District, Chongqing, the Lavie Concept 98 Parking Lot transformed into a hub of artistic allure, hosting a unique art event that captivated many. 

In this creative enclave, the multidisciplinary artist Tian Yong unveiled his latest collection of 12 artworks in the “Hard-Boiled Wonderland and the End of the World: New Painting Exchange Exhibition of Tian Yong.” More than a mere display of aesthetic prowess, this exhibition delved into the depths of Tian Yong’s philosophical musings, offering a window into his soul.

Hard-Boiled Wonderland and the End of the World: New Painting Exchange Exhibition of Tian Yong in the Lavie Concept 98 Parking Lot (Photo/Tian Yong)

The exhibit hall became a canvas where Tian Yong’s abstract brushstrokes spoke volumes. His paintings, where branches stretched into valleys and skies, were a dance of colors and lines that resonated with each other, embodying his zest for life, apprehensions about the future, and his reflections on the global stage. 

Delving into the exhibition’s theme, Tian  remarked, “This concept is rooted in my observations of the intellectual and artistic youth of the 1990s. Their transition from Milan Kundera’s The Unbearable Lightness of Being to Haruki Murakami’s Hard-Boiled Wonderland and the End of the World has left an indelible imprint on our collective psyche.”

Tian Yong, the multidisciplinary artist (Photo/Tian Yong)

Tian’s versatility as a multidisciplinary artist is evident in his multifaceted career spanning painting, screenwriting, directing, and art direction. 

His cinematic work, My Heart Soars, garnered the Art Award at the 9th Lyon Asian Cultural Film Festival in France. This recognition bolstered his confidence and solidified his future artistic trajectory. He expressed, “This accolade reaffirmed my endeavor to integrate regional and national cultures with my unique flair, steering my creative journey ahead.”

A White Horse Is Not A Horse (It highlights the distinction between general and specific concepts, questioning whether the term “horse” includes the specific “white horse” or if they should be considered separately. The phrase is often used to discuss linguistic and philosophical nuances in categorization and the relationship between language and reality.) (Photo/Tian Yong)

In his painting career, Tian has helmed exhibitions like “Returning Homeward: Tian Yong Art Exhibition,” graced the “6th Fine Arts Works Exhibition of Chongqing,” and participated in the Pingyao International Photography Festival. His works, celebrated and collected by connoisseurs and institutions alike, reflect his diverse experiences in advertising and design, which have broadened his artistic vision and international reach. 

Discussing his philosophy on cross-media art, Tian noted, “At its core, art is an expression of human thought and philosophy. An artist, enriched with profound contemplation, should tailor their art form to best represent their thematic exploration and aspirations.”

Views on the Chu Ci Series (This phrase likely indicates a series of Tian Yong’s artworks and his artistic interpretations centered around the themes and styles of the Chu Ci.)

In 2023, a year brimming with challenges, Tian quietly ventured into a reflective journey through the realm of art. This introspective path gave rise to a collection of new works, a testament to his relentless pursuit of exploring the inner realms and experimenting with artistic expressions. 

Amidst this journey, he sought to find a semblance of balance amidst chaos and a glimmer of certainty within the uncertain. Each brushstroke represented a small yet significant step in his personal journey of growth and self-realization, subtly contributing to his evolving artistic narrative.

Order of A Dream (The phrase evokes a sense of fleeting beauty and the ephemeral quality of experiences as if they are as insubstantial and elusive as a dream.) (Photo/Tian Yong)

Under the auspices of the Chongqing Creative Designer Association, the exhibition showcased Tian’s recent artworks, encapsulating his profound insights into life, art, and worldly matters. It provided the audience with a glimpse into the artist’s endeavor to harmonize the realms of reality and fantasy, the individual and the collective, and the local with the global.

Dreaming of Butterflies, Zhuang Zhou Awakens (This phrase alludes to a famous philosophical anecdote from an influential Chinese philosopher, Zhuangzi. This tale explores themes of transformation, reality, and the nature of existence, questioning the boundaries between dreams and reality. (Photo/Tian Yong)

The New Painting Exchange Exhibition offered more than just a visual treat to the people of Chongqing; it unveiled the rich tapestry of the city’s art scene to the world. The works on display invited the audience to delve deeper into Tian’s artistic essence, revealing his unique charm as a multidisciplinary artist. The exhibition, open until the end of the month, eagerly anticipates welcoming more visitors to partake in this extraordinary artistic voyage.

The End of the World (This phrase can imply a metaphorical or existential concept, representing a state or place beyond the limits of experience, knowledge, or understanding.) (Photo/Tian Yong)

A Dream in the Garden (This phrase often implies a surreal or unexpected experience within a seemingly peaceful or idyllic setting, akin to a dreamlike sequence that occurs in a garden. It can also suggest a metaphorical journey through an enchanting and startling landscape, echoing themes of beauty juxtaposed with surprise or revelation.) (Photo/Tian Yong)